François Raulin, Majid Bekkas et Emile Biayenda

 

Teaser 

 

All three embody a different musical culture, but they naturally manage to find a vast common playground. It has to be said that all three, in their own way, are steeped in African music.

François Raulin‘s jazz has drawn heavily from this source, which he himself says is one of his most striking inspirations. In fact, by playing with numerous African musicians, he learned the complex polyrhythms. His piano playing has been deeply nourished by them.

The Moroccan Majid Bekkas unquestionably brings the oriental tonality of his deep, powerful and emotionally-charged singing. But he is also the bearer of Gnawa culture, whose African roots can be found in Morocco. The king instrument of this music of worship and trance is the guembri, a plucked string instrument of which he is a perfect master.

Last but not least, Emile Biayenda learned his groove skills in Congo Brazzaville. As founder and artistic director of Tambours de Brazza since 1991, he is a recognized specialist in African percussion. François Raulin and Majid Bekkas have shared the stage since 2010, touring Morocco, West Africa and France with Adama Dramé .

They invited Emile Biayenda to join them for this new trio in 2018 at the détours de Babel festival (Grenoble).

The original repertoire they have devised leaves plenty of room for the three artists, while at the same time flying the flag for contemporary African musical cultures.

 

Majid BEKKAS : oud, guembri, voice

Straddling the line between tradition and modernity, Majid skillfully merges Gnaoua music with Afro-American blues. In addition to his musical pursuits, he imparts his knowledge as a music teacher at the Rabat Conservatoire and has held the position of Artistic Director for Rabat’s Jazz au Chellah Festival since 1996. Through collaborations with various musicians, Majid has been able to infuse each project with a distinct personality. His boundless creativity and dedication were recognized in late 2010 when he received the prestigious Al Farabi prize, one of the most significant accolades in the Arabic-speaking world. One of his notable works is the CD Al Qantara, which was released in the spring of 2014. He has met many jazz musicians on international stages: Joachim Kühn, Ramón Lopez, Archie Shepp, Hamid Drake, Peter Brotzman, Pharaoh Sanders…

 

Emile BIAYENDA: percussions, drums

Drummer, percussionist and composer born in Congo Brazzaville. Founder of a training workshop intended for young Congolese from the neighborhoods of Brazzaville, which will become in 1991 “the drums of Brazza”. He played with Biks Bikouta and Zao for 8 years. He reconciles traditional rhythms, notably those of the Ngoma drum, with modern music. He has lived in France since 1993 and has met many people with very different aesthetics. As comfortable in the pure African tradition as in improvised European music (he plays in particular in a trio with Benoit Delbecq) he makes Africa an inexhaustible source of his inspiration.

 DISTRIBUTION

  • François Raulin : Piano, mBira composition
  • Majid Bekkas : Guembri, guitar, voice, composition
  • Emile Biayenda : Percussions, drums

➔ They were on stage : Festival Détours de Babel /Krefeld / JAZZDOR / Festival Les Allées Chantent / Djazz Nevers / Rabat

➔ Next dates :

  • 29 october 2025 : Ventspils Latvija
  • 30 october 2025 : Riga VEF
  • 31 october 2025 : Rezekne GORS
  • 01st november 2025 : Cesis Concert Hall

 

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